Convocation Celebration

Date

Tuesday June 21, 2022
5:00 pm - 7:00 pm

Location

Isabel Bader Centre for the Performing Arts

Come celebrate your graduation with us on June 21 at 5:00pm.

Refreshments provided.

Isabel Bader Centre for Performing Arts,  3rd Floor Lounge

Register Here: https://www.eventbrite.ca/e/film-and-media-convocation-celebration-tickets-356724030177

Human Existence(s)

Date

Saturday April 2, 2022
10:00 am - 8:00 pm

Location

Tlaxcala 3

Human Existence

This Saturday, Apr 02, Film & Media students’ work is being shown in Mexico City! “Human Existence(s)” is an exhibition of exhibitions curated by the FILM318 class - Curating Screen Practices in collaboration with peers from the Mexican university CENTRO. The shows will be installed at the artist-run space Tlaxcala 3 and are also available online at the link below. Next week, they will be touring to the Isabel’s Art and Media Lab.

The partnership has been coordinated by professors Gabriel Menotti and Doreen Rios, with the support of Global Affairs Canada (via the ELAP program), ANTImateria and Tlaxcala 3.

A Sight, A Whole Sight FILM 460 Exhibition and Conference

Start Date

Saturday April 9, 2022

End Date

Sunday April 10, 2022

Time

10:00 am - 5:00 pm

Location

Isabel Bader Centre for the Performing Arts

Virtual Event: Guest Lecturer Ashley Rice

Date

Friday April 8, 2022
6:30 pm - 7:30 pm

Location

Zoom

Ashley Rice Photo

ASHLEY RICE

President & Co-Managing Partner, Cinespace

Former Executive Vice President, Legendary Television

(Dune, Monarch, 12 Scars, Carnival Row, Paper Girls)

As of January 2022, Ashley Rice has joined as the President & Co-Managing Partner of Cinespace. Cinespace specializes in the development, management and operation of studio space and support facilities for the film, television and digital media production industry. Cinespace represents the second-largest independent sound stage platform in North America and most recently has acquired a majority stake in Germany’s Studio Babelsberg.

Ashley’s role at Cinespace encompasses overall daily management of the business and focuses on client and government relations, marketing/PR and Cinecares an arm of Cinespace that is devoted to empowering Chicago residents from underserved communities on the west and south sides through education and job training in Film & TV.

Previously, Ashley held the role of Executive Vice President of Production for Legendary Television. She managed numerous aspects of Legendary TV’s Studio Operations including Physical Production, Post Production, Production Finance, COVID/Safety/HR/Risk Management and Production Labor/Legal.

Since joining the company in 2014, Rice oversaw many domestic and international productions including Monarch (Apple), 12 Scars (Netflix), Dune (HBOMax), Carnival Row (Amazon), Paper Girls (Amazon), Lightyears (Amazon), Debris (NBC), Lost in Space (Netflix), The Looming Tower (Hulu), Downward Dog (ABC), Love (Netflix), Colony (USA) as well as animation series Pac Rim: The Black (Netflix), Skull Island (Netflix) and Tomb Raider (Netflix).

Prior, Rice served as the Vice President of Production at ABC Studios where she managed all aspects of production on a variety of series for Shonda Rhimes and Mark Gordon (Grey’s Anatomy, Private Practice, Scandal, Criminal Minds: Suspect Behavior) as well as many other pilot and series productions.

Rice has also worked as a Production Executive at HBO where she was a part of series such as Carnivale and Entourage.

Ashley is a member of the Producers Guild of America, the Academy of Television Arts & Sciences, and Women in Film. Rice hails from Toronto, Canada and currently resides in Los Angeles with her husband and two sons, Thomas and Henry who love baseball.

Link: 

 

MAPP 400 Capstone Project: Re-Ignite

Date

Sunday April 3, 2022
1:30 pm - 4:00 pm

Location

Theological Hall

 

Re-ignite poster

This weekend the MAPP 400 Capstone Projects overseen by Jenn Norton and myself are called Re-Ignite.  They will be presented when we take over Theological Hall from 1:30PM-4PM on Sunday April 3.

Please think of it as a mini-Nuit Blanche where some of the performances occur once and some are installations that are experience-able the entire time. You can arrive at the event any time between 130-400.

To reserve a free spot -the .

The Re-Ignite .

Clement Virgo

Date

Friday March 11, 2022
9:30 am - 10:30 am

Location

Zoom

Queen's Film and Media welcomes writer/director Clement Virgo to FILM 312 (Screenwriting) this Thursday 3:30-4:30pm and Friday 9:30-10:30am via zoom (same link for both sessions). All students welcome.

Topic: FILM 312 Clement Virgo (Queen's U)

Time: Mar 10, 2022 03:30 PM Eastern Time (US and Canada)

Join Zoom Meeting

Clement Virgo

Date

Thursday March 10, 2022
3:30 pm - 4:30 pm

Location

Zoom

Queen's Film and Media welcomes Writer/Director Clement Virgo to FILM 312 (Screenwriting) this Thursday 3:30-4:30pm and Friday 9:30-10:30am via zoom (same link for both sessions). All students welcome. 

Topic: FILM 312 Clement Virgo (Queen's U)

Time: Mar 10, 2022 03:30 PM Eastern Time (US and Canada)

Join Zoom Meeting

Artist Talk and Q&A with Animator Annapurna Kumar

Date

Wednesday February 16, 2022
2:30 pm - 3:30 pm

Location

Zoom

Wednesday, February 16 at 2:30-3:30 PM EST on Zoom

Annapurna Kumar is a filmmaker who also makes drawings and prints. Her works are generally short, fast-paced collages utilizing a variety of techniques, from CGI and drawn animation to hand-processed 16mm film. She is originally from Seattle and is now based in Southern California.

Contact Emily Pelstring for Link: emily.pelstring@queensu.ca

FILM and MEDIA Students only.

After registering, you will receive a confirmation email containing information about joining the meeting.

Brandon Hocura

Brandon Hocura

Brandon Hocura

PhD Student

Screen Cultures and Curatorial Studies

Film and Media

20beh1@queensu.ca

PhD Student

Brandon Hocura is a sound artist, filmmaker, writer, and archivist. He is the founder and creative director of the record label and publisher SĂ©ance Centre. His research intersects with experimental poetics and ethnography, exploring the complex relationships between music, language, technology, geography, and culture. His recent research areas include iterative sound, autonomous distribution networks, visual & sound poetry, material histories, rogue archives, archipelagic theory, and diasporic traditions. As part of the Vulnerable Media Lab team at Queen's University, he is engaged with audio and video preservation, and is helping to build standards and best practices for audio archiving. Brandon’s research is supported by a SSHRC Doctoral Fellowship.

Heather Roberts

Heather Roberts

Heather Roberts

PhD Student

Screen Cultures and Curatorial Studies

Film and Media

6hg@queensu.ca

PhD Student

Heather is a PhD candidate in the Screen Cultures and Curatorial Studies program. She is a horror scholar whose doctoral project proposes a new critical framework for understanding the found footage horror subgenre, engaging more broadly with the connections between genre cinema, digital media, and contemporary cultural anxieties.

She holds an MA in English Language and Literature, as well as a BAH in Spanish and a combined BAH in English and Art History.

Heather has presented and published papers on the intersection of found footage horror with topics such as parody, eco horror, influencer culture, and the COVID-19 pandemic. Most recently, she presented her paper “It’s a Man’s (Digital) World: Women, Technology, and Autonomy in CTRL (2024)” at the FMSAC 2025 annual conference. She also wrote a piece for exploring themes of wealth and class inequality in eat-the-rich horror films, which she discussed in a series of follow-up interviews on CBC Radio.

Selected Publications

“'Who shoots their vacation videos in 3D?': Parodying the Inescapability of Convention in Found Footage 3D.” Dying of Laughter: Horror Spoofs and Parody, edited by Reece Goodall, forthcoming, University of Wales Press.

“Viral Horror: Host and the Fear of Infection During the COVID-19 Pandemic.” Scaffold, vol. 2, no. 1, April 2025, pp. 1-12.

“Do it for the Views: Laughing at the Horrors of Influencer Culture in Deadstream.” Horror Homeroom Special Issue #7, June 2023, pp. 129-37.