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With this week's fire at Notre Dame Cathedral, the media has reached out to architecture historians for their insight. Art History's Professor Matthew Reeve and Professor Emeritus Pierre du Prey were both interviewed this week on television and radio, respectively. Prof. du Prey's interview for CBC's All In A Day is no longer available on demand, but please see the link below for Prof. Reeve on Global News:

Congratulations to Dr. Sarah Alford, whose thesis, "Art Botany in Nineteenth-Century Design Reform, 1830–1865" (supervised by Professor Emerita Dr. Janice Helland) has been named Humanities Outstanding Thesis by the Fellowship Committee of the School of Graduate Studies in the 2018-2019 Governor General’s Academic Gold Medals competition. 

As part of her innovative research into medical humanities and art history, Dr. Allison Morehead recently completed an interdisciplinary research workshop, “Doing Medical Humanities with Art, Non-Art Objects, and Things,” in Oslo, Norway, with the participation of three PhD students from Art History at ���ϳԹ���Դ.

The Art Conservation Program at Queen's University is very pleased to announce the appointment of Emy Kim in the position of Assistant Professor (Artifacts) in the Art Conservation program as of 1 July 2019. 

Dr. Stephanie Dickey, Professor and Bader Chair in Northern Baroque Art, was interviewed by the BBC this week on the restoration of Rembrandt's The Night Watch.

Dr. Stephanie Dickey, Professor and Bader Chair in Northern Baroque Art in Art History, has recently had her award-winning research photograph applied to the side of the Kinesiology and Health Studies Building at 28 Division St.

Congratulations to Daria Melnikov, who co-curated the exhibition Sovfoto 20/20 for the MacLaren Art Centre in Barrie. More information on this exhibition, which opens in December, can be found on the .

Warm congratulations to  (PhD 2016), who has been awarded a Postdoctoral Associate position at Yale University.

Titled Split Between the I and the Gaze, this exhibition brings together a diverse range of works, each exploring different ways of looking. Viewers are both the observer and the observed. The season launch is on Thursday 19 September 2019.