M.A. student Cicely Haggerty publishes essay in Journal Perspectives on Gender, Equity, and Politics
Big congrats to Cicely Haggerty! The M.A.
Big congrats to Cicely Haggerty! The M.A.
Date
Wednesday April 27, 2022Location
OnlineOn April 27, 2022 from 12pm-1:30pm ET via Zoom, Queen's Art Conservation Program presents Megan Creamer, Isabel Bader Fellow in Art Conservation, on "Corrosion and Adhesion: Evaulating Material Properties Over Time".
The event is free with registration.
The Isabel Bader Fellowship supports new research and sharing of expertise in the field of art conservation. For the past two years, Megan Creamer has been undertaking research projects in conservation and connecting their knowledge base to the work of the ºÚÁϳԹÏ×ÊÔ´ Master of Art Conservation students. Megan will present their research methodology, key findings, and future questions from two projects: green coatings for preventing corrosion on outdoor steel sculpture, and the evaluation of adhesives for cellulose acetate. Both projects assessed novel materials to be used in the conservation of cultural heritage objects, looking closely at material properties in relation to the environment. In addition to testing new and existing conservation materials, Megan encourages others to continue experimentation and sharing in both areas—corrosion mitigation and plastics adhesion—with an eye towards sustainability and preservation. This research is supported by Bader Philanthropies.

Amid a flurry of media appearances, Art History Prof. Cathleen Hoeniger gave an interview with CBC London Afternoon Drive, discussing the current threat posed to Ukraines' UNESCO World Heritage sites.
The 2022 Art Hx Symposium, , is set to run April 28-29, and on the schedule is a panel session featuring the emerging scholars of the ongoing online series, .
The (SASS) awarded Art History alumna MaryClaire Pappas (M.A. '15) with the Aurora Borealis Prize in History for her paper, "Dangerous Affectations: Orientalism and Jean Heiberg's Nudes". Pappas is also one of three organizers of the upcoming conference, in Norway.
On the heels of his op-ed for The Conversation, Prof. Gauvin Bailey, the Bader Chair in Southern Baroque Art, appeared on Global News The Morning Show on CKWS to shed light on the threat facing Ukraine's UNESCO heritage buildings as the Russian invasion continues:
Ph.D. student Benjamin McHutchion has published an article for Sculpture Journal,
The article examines states of John. A. Macdonald and Edward Cornwallis, both of which were removed from public spaces in 2018. The paper is based on McHutchion's M.A. thesis work under the guidance of Prof. Hoeniger, which is largely centred on collective memory.
In collaboration with Queen's Reads and alongside its current exhibits and , Union Gallery presents two upcoming programs sponsored by the Department of Art History & Art Conservation.
Join second-year Art Conservation Master's students on April 1, 2022 at 10am as they present their current research projects. During their annual virtual poster session, M.A.C. candidates will give short overviews of their work, and there will be time reserved for questions.
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Meeting ID: 961 2062 6247
Passcode: 758180
Feature image: © Government of Canada, Canadian Conservation Institute.
Date
Tuesday April 12, 2022Location
OnlineJoin the Agnes Etherington Art Centre on April 12, 12:15pm for . This online event allows participants to slow down and observe artworks, including over forty by The Group of Seven's Tom Thomson.
"The exhibition Tom Thomson? The Art of Authentication explores how artworks are authenticated. During his brief six-year career as a painter, Tom Thomson (1877–1917) produced hundreds of oil sketches and a handful of canvases that responded to the mid-northern Ontario landscape. In the century following his death, he has been the subject of national myth-making and critical myth-dismantling. Perhaps one of the most recognized historical painters in Canada, he is also one of the most copied."
The event is .